Brown is My Favorite Color, wip. Found Battenburg tablecloths, dying, hand embroidery, heat image transfer of images from Millard C. Mitchell archive. Photo Credit: Alvaro Santistevan
Masking, 2021-ongoing. 7 Hand Embroidered and Beaded Masks and 11 Braided Coil Bowls.
Masks #1 , #2, #3, #4, #5,#6, #7, #8, 2021-2023. Hand embroidery, hand sewing, beads, sequins, rope, wax, yarn, found objects. Utilized in private/public performance with performative objects.
Because You Are Loved (Altar For the Ancestors), 2020.
Site-Specific Installation at The Atlanta Contemporary for the group exhibition ‘She is Here’. Projection of ‘Performance #3: Bathing in Lake Drummond’, images from ‘Performance #2: Offerings’ cut and sewn using Nan’s Adirondack star pattern. Altar log sourced from The Great Dismal Swamp. Copper dyed mica powder underfoot. Water and clove-spiked oranges replaced weekly.
Practices of Embodiment, 2020
Site-Specific Installation at The Atlanta Contemporary for the group exhibition ‘She is Here’. Projection of ‘Performance #3: Bathing in Lake Drummond’, Collection of 4 performative objects or portals, collection of 3 masks or conduits. Copper dyed mica powder underfoot.
We Claim What Fills Us, 2020. Found kitchenware. Hammered original text.
Untitled (Egg Basket), 2020. Found objects; silver plated cutlery, egg basket.
Fungible Commodities, 2018 (MFA in Printmaking Thesis, Rhode Island School of Design)
Immersive installation. Tar, earth, crisco, rope, found objects, paper casts, rushes from the Great Dismal Swamp, logs from the Great Dismal Swamp, waters from the Great Dismal Swamp, collected vessels, handcrafted perfume with Great Dismal Swamp water, North Carolina peanuts, pots and pans, original hammered text, copy of 'Rocket in My Pocket', oral history, Kodak Carousel projected images from Millard C. Mitchell Archive. Smells of Stockholm Tar.
Praise, 2016. Screenprinted 500 piece choir.